Juried Categories

• Three Dimensional (sculpture, wood, ceramics, mosaic, fiber, collage, jewelry)
• Watercolor, Drawing and Painting (ink, gouche, printmaking, pastel, mixed media)
• Acrylic and/or Oil Painting
• Photography

Open Reception: July 25, 2014 from 4:00 PM to 6:00 PM
Exhibition Dates: July 25 to August 21, 2014

surroundings
an exhibit by Yarn Bombing Los Angeles created in collaboration with the Manhattan Beach Community

Exhibition Dates: May 23rd through June 26th

Yarn Bombing Los Angeles (YBLA)
YBLA is a group of guerrilla knitters who have been collaborating since 2010 to stage public installations and performances to help expand the definition of public art to include self-initiated, temporal urban interventions such as yarn bombing.

Exert from an article entitled, “YARN BOMBING LOS ANGELES” from the May 2014 edition of ArtScene
By G. James Daichendt

The installations typically placed outside are making an appearance inside, which allows for increased reflection on the sculptural quality and more strictly aesthetic potential of the art form.

Yarn bombing has become an admirable form of street art in the last few decades. The medium, usually associated with grandmothers knitting socks, has a much more edgy connotation since artists like Bill Davenport or Olek started covering public objects with multicolored crocheted patterns. It’s categorized as street art because it is not based in writing, like graffiti, and takes advantage of the diversity of art materials that also set it apart from the aerosol-based form. While yarn bombing may seem decorative, it’s about reclaiming and personalizing public space that has been lost to the shoebox style of architecture and cold industrial aesthetic that invades so many of our communities. Los Angeles is a perfect context for YBLA and this growing community is adding a welcome form of public art to our freeway-ridden landscape.

The art of concealing and revealing through yarn bombing objects is not unlike the way Christo and Jeanne-Claude covered buildings and monuments to unleash inquiry about the role and purpose of such objects. YBLA has engaged in a recent community project exemplifying this process. Entitled “Put a Ring on It,” members of YBLA are asking participants to create a crocheted ring pattern and to wrap or place this material on something the individual cherishes or loves. Photographs of this project will be featured in the upcoming exhibit and proves to be an interesting experiment about the things we hold dear. The act of partially covering these objects with a symbol heightens the emotions toward the subject and what it ultimately represents. A collection of these photographs acts as a sociological experiment concerning values.

Anything may be the target of YBLA. The installations that are part of this exhibit are no different. The original identity of the sculptural objects often disappears through a maze of patterns and luscious textures. The most delightful aspect of the exhibition is seeing these objects function together as they become large-scale installations.

The white cube aesthetic is significantly softened through the work of YBLA. The playful attitude and symbolic representations of a particular installation of animals nestled around a pond complete with crocheted fish becomes a scavenger hunt to recognize the abundance of detail the medium offers. The diversity of its aesthetic seems to point toward the multiple hands involved in such work.

The importance of community is an integral part of yarn bombing. The works do not bear an individual’s name but instead focus on the collaborative process. This also transfers to classes and workshops that YBLA hosts to foster the communal aspects of the creation of such works. Working together, their collective voice comes together through a shared purpose and belonging to a group. An inherently softer side to street art, the participants are shattering any preconceptions you may have about these rebel artists.
2014 Congressional High School Art Competition

April 14th through 21st
Sponsored by the U. S. House of Representatives every year, this competition recognizes one outstanding artist in each congressional district across the country. The winner will:

• have their artwork displayed in the U.S. Capitol for one year
• receive two complimentary airfare tickets to Washington, DC
• attend an awards presentation in Washington, DC

March 20th through 28th
Closing Reception will be on March 28th from 5:00 PM to 7:00 PM

Please click on the image catalog below for more information: